St. Joseph Class of 1967 - North Adams, Massachusetts

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AWARD WINNERS FOR 1967

1967 Tony Awards

Play

The Homecoming

Musical

Cabaret

Actor—Play

Paul Rogers, The Homecoming

Actress—Play

Beryl Reid, The Killing of Sister George

Supporting or Featured Actor—Play

Ian Holm, The Homecoming

Supporting or Featured Actress—Play

Marian Seldes, A Delicate Balance

Actor—Musical

Robert Preston, I Do! I Do!

Actress—Musical

Barbara Harris, The Apple Tree

Supporting or Featured Actor—Musical

Joel Grey, Cabaret

Supporting or Featured Actress—Musical

Peg Murray, Cabaret

Director—Play

Peter Hall, The Homecoming

Director—Musical

Harold S. Prince, Cabaret

Composer and Lyricist

John Kander and Fred Ebb, Cabaret

Scenic Designer

Boris Aronson, Cabaret

Costume Designer

Patricia Zipprodt, Cabaret

Choreographer

Ron Field, Cabaret

 

Information Please® Database, © 2005 Pearson Education, Inc. All

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1967 Grammy Awards

Record of the Year

“Up, Up and Away,” 5th Dimension

Album of the Year

Sgt. Pepper's Lonely Hearts Club Band, The Beatles (Capitol)

Song of the Year

“Up, Up and Away,” Jimmy L. Webb, songwriter

Best New Artist

Bobbie Gentry

Best Vocal Performance, Male

“By the Time I Get to Phoenix,” Glen Campbell

Best Vocal Performance, Female

“Ode to Billie Joe,” Bobbie Gentry

Best Performance By a Vocal Group (Two to Six Persons)

“Up, Up and Away,” 5th Dimension

Best Performance By a Chorus (Seven or More Persons)

“Up, Up and Away,” Johnny Mann Singers

Best Contemporary Single

“Up, Up and Away,” 5th Dimension

Best Contemporary Album

Sgt. Pepper's Lonely Hearts Club Band, The Beatles (Capitol)

Best Contemporary Male Solo Vocal Performance

“By the Time I Get to Phoenix,” Glen Campbell

Best Contemporary Female Solo Vocal Performance

“Ode to Billie Joe,” Bobbie Gentry

Best Contemporary Group Performance, Vocal or Instrumental

“Up, Up and Away,” 5th Dimension

Best Rhythm and Blues Recording

“Respect,” Aretha Franklin (Atlantic)

Best Rhythm and Blues Solo Vocal Performance, Male

“Dead End Street,” Lou Rawls

Best Rhythm and Blues Solo Vocal Performance, Female

“Respect,” Aretha Franklin

Best Rhythm and Blues Group Performance, Vocal or Instrumental (Two or More)

“Soul Man,” Sam and Dave

Best Instrumental Jazz Performance, Small Group or Soloist With Small Group

Mercy, Mercy, Mercy, Cannonball Adderley Quintet


 

Duke Ellington

Archive Photos

Best Instrumental Jazz Performance, Large Group or Soloist With Large Group

“Far East Suite,” Duke Ellington

Best Country and Western Song

“Gentle on My Mind” John Hartford, songwriter

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Best Country and Western Recording

“Gentle on My Mind,” Glen Campbell (Capitol)

Best Country and Western Solo Vocal Performance, Male

“Gentle on My Mind,” Glen Campbell

Best Country and Western Solo Vocal Performance, Female

“I Don't Wanna Play House,” Tammy Wynette

Best Country and Western Performance, Duet, Trio or Group (Vocal or Instrumental)

“Jackson,” Johnny Cash and June Carter

Best Gospel Performance

More Grand Old Gospel, Porter Wagoner and the Blackwood Brothers

Best Sacred Performance

How Great Thou Art, Elvis Presley

Best Folk Performance

“Gentle on My Mind,” John Hartford

Best Instrumental Arrangement

Alfie, Burt Bacharach, arranger

Best Arrangement Accompanying Vocalist(s) or Instrumentalist(s)

“Ode to Billie Joe,” Jimmie Haskell, arranger

Best Instrumental Theme

“Mission: Impossible,” Lalo Schifrin, composer

Best Instrumental Performance

“Chet Atkins Picks the Best,” Chet Atkins

Best Score From an Original Cast Show Album

Cabaret, Fred Ebb and John Kander, composers (Columbia)

Best Original Score Written for a Motion Picture or Television Show

“Mission: Impossible,” Lalo Schifrin, composer

Album of the Year, Classical (tie)

Berg, Wozzeck, Pierre Boulez conducting Paris National Opera; solos: Berry, Strauss, Uhl and Doench (Columbia)

 

Mahler, Symphony No. 8 in E-Flat Major (“Symphony of a Thousand”), Leonard Bernstein conducting London Symphony Orchestra (Columbia)

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Best Classical Performance, Orchestra

Stravinsky, Firebird and Petrouchka Suites, Igor Stravinsky conducting Columbia Symphony

Best Chamber Music Performance

West Meets East, Ravi Shankar and Yehudi Menuhin

Best Classical Performance, Instrumental Soloist(s) (With or Without Orchestra)

Horowitz in Concert, Vladimir Horowitz

Best Opera Recording

Berg, Wozzeck, Pierre Boulez conducting Paris National Opera; solos: Berry, Strauss, Uhl and Doench (Columbia)

Best Classical Choral Performance (tie)

Mahler, Symphony No. 8 in E-Flat Major (“Symphony of a Thousand”), Leonard Bernstein conducting London Symphony Orchestra

 

Orff, Catulli Carmina, Robert Page conducting Temple University Chorus; Eugene Ormandy conducting Philadelphia Orchestra

Best Classical Vocal Soloist Performance

Prima Donna, Vol. 2, Leontyne Price; Francesco Molinari-Pradelli conducting RCA Italiana Opera Orchestra

Best Comedy Recording

Revenge, Bill Cosby (Warner Bros.-Seven Arts)

Best Spoken Word, Documentary or Drama Recording

Gallant Men, Sen. Everett M. Dirksen (Capitol)

Best Recording for Children

Dr Seuss: How the Grinch Stole Christmas, Boris Karloff (MGM)

Best Album Cover, Graphic Arts

Sgt. Pepper's Lonely Hearts Club Band, Peter Blake and Jann Haworth, art directors (Capitol)

Best Album Cover, Photography

Bob Dylan's Greatest Hits, Roland Scherman, photographer; John Berg and Bob Cato, art directors (Columbia)

Best Album Notes

Suburban Attitudes in Country Verse, John O. Loudermilk, annotator (RCA)

 

Information Please® Database, © 2005 Pearson Education, Inc. All rights reserved.
 

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1967 National Book Awards

Arts and Letters

Mr. Clemens and Mark Twain: A Biography, Justin Kaplan

Fiction

The Fixer, Bernard Malamud

History and Biography

The Enlightenment, Vol. I: An Interpretation: The Rise of Modern Paganism, Peter Gay

Poetry

Nights and Days, James Merrill

Science, Philosophy and Religion

La Vida, Oscar Lewis

Translation

Julio Cortazar's Hopscotch, Gregory Rabassa

 

Casanova's History of My Life, Willard Trask

 

Information Please® Database, © 2005 Pearson Education, Inc. All rights reserved.

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1967 Academy Awards

The 1967 Academy Awards were presented April 10, 1968 at the Santa Monica Civic Auditorium.

Best Picture

Bonnie and Clyde, Warren Beatty, producer (Warner Bros.-Seven Arts)

 

Doctor Dolittle, Arthur P. Jacobs, producer (Twentieth Century-Fox)

 

The Graduate, Lawrence Turman, producer (Embassy Pictures)

 

Guess Who's Coming to Dinner?, Stanley Kramer, producer (Columbia)

 

In the Heat of the Night, Walter Mirisch, producer (United Artists)

Best Actor

Warren Beatty, Bonnie and Clyde

 

Dustin Hoffman, The Graduate

 

Paul Newman, Cool Hand Luke

 

Rod Steiger, In the Heat of the Night

 

Spencer Tracy, Guess Who's Coming to Dinner?

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Best Actress

Anne Bancroft, The Graduate

 

Faye Dunaway, Bonnie and Clyde

 

Dame Edith Evans, The Whisperers

 

Audrey Hepburn, Wait Until Dark

 

Katharine Hepburn, Guess Who's Coming to Dinner?

Actor in a Supporting Role

John Cassavetes, The Dirty Dozen

 

Gene Hackman, Bonnie and Clyde

 

Cecil Kellaway, Guess Who's Coming to Dinner?

 

George Kennedy, Cool Hand Luke

 

Michael J. Pollard, Bonnie and Clyde

Actress in a Supporting Role

Carol Channing, Thoroughly Modern Millie

 

Mildred Natwick, Barefoot in the Park

 

Estelle Parsons, Bonnie and Clyde

 

Beah Richards, Guess Who's Coming to Dinner?

 

Katharine Ross, The Graduate

Directing

Richard Brooks, In Cold Blood

 

Norman Jewison, In the Heat of the Night

 

Stanley Kramer, Guess Who's Coming to Dinner?

 

Mike Nichols, The Graduate

 

Arthur Penn, Bonnie and Clyde

 


 

Mike Nichols

Archive Photos

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Writing

Screenplay Based on Material From Another Medium

Richard Brooks, In Cold Blood

 

Donn Pearce and Frank R. Pierson, Cool Hand Luke

 

Stirling Silliphant, In the Heat of the Night

 

Joseph Strick and Fred Haines, Ulysses

 

Calder Willingham and Buck Henry, The Graduate

Story and Screenplay Written Directly for the Screen

Robert Kaufman, story; Norman Lear, screenplay, Divorce American Style

 

David Newman and Robert Benton, Bonnie and Clyde

 

Frederic Raphael, Two for the Road

 

William Rose, Guess Who's Coming to Dinner?

 

Jorge Semprun, La Guerre Est Finie

 

Cinematography

Burnett Guffey, Bonnie and Clyde

 

Conrad Hall, In Cold Blood

 

Richard H. Kline, Camelot

 

Robert Surtees, Doctor Dolittle

 

Robert Surtees, The Graduate

Art Direction

Mario Chiari, Jack Martin Smith and Ed Graves, art direction; Walter M. Scott and Stuart A. Reiss, set decoration, Doctor Dolittle

 

Robert Clatworthy, art direction; Frank Tuttle, set decoration, Guess Who's Coming to Dinner?

 

Alexander Golitzen and George C. Webb, art direction; Howard Bristol, set decoration, Thoroughly Modern Millie

 

Renzo Mongiardino, John DeCuir, Elven Webb and Giuseppe Mariani, art direction; Dario Simoni and Luigi Gervasi, set decoration, The Taming of the Shrew

 

John Truscott and Edward Carrere, art direction; John W. Brown, set decoration, Camelot

Sound

MGM Studio Sound Dept., The Dirty Dozen

 

Samuel Goldwyn Studio Sound Dept., In the Heat of the Night

 

Twentieth Century-Fox Studio Sound Dept., Doctor Dolittle

 

Universal City Studio Sound Dept., Thoroughly Modern Millie

 

Warner Bros.-Seven Arts Studio Sound Dept., Camelot

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Music

Song

“The Bare Necessities,” The Jungle Book, Terry Gilkyson, music and lyrics

 

“The Eyes of Love,” Banning, Quincy Jones, music; Bob Russell, lyrics

 

“The Look of Love,” Casino Royale, Burt Bacharach, music; Hal David, lyrics

 

“Talk to the Animals,” Doctor Dolittle, Leslie Bricusse, music and lyrics

 

“Thoroughly Modern Millie,” Thoroughly Modern Millie, James Van Heusen and Sammy Cahn, music and lyrics

Original Music Score

Richard Rodney Bennett, Far From the Madding Crowd

 

Elmer Bernstein, Thoroughly Modern Millie

 

Leslie Bricusse, Doctor Dolittle

 

Quincy Jones, In Cold Blood

 

Lalo Schifrin, Cool Hand Luke

Scoring of Music, Adaptation or Treatment

DeVol, Guess Who's Coming to Dinner?

 

Alfred Newman and Ken Darby, Camelot

 

Lionel Newman and Alexander Courage, Doctor Dolittle

 

André Previn and Joseph Gershenson, Thoroughly Modern Millie

 

John Williams, Valley of the Dolls

 

Film Editing

Hal Ashby, In the Heat of the Night

 

Samuel E. Beetley and Marjorie Fowler, Doctor Dolittle

 

Robert C. Jones, Guess Who's Coming to Dinner?

 

Frank P. Keller, Beach Red

 

Michael Luciano, The Dirty Dozen

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Costume Design

Jean Louis, Thoroughly Modern Millie

 

Irene Sharaff and Danilo Donati, The Taming of the Shrew

 

Bill Thomas, The Happiest Millionaire

 

John Truscott, Camelot

 

Theadora Van Runkle, Bonnie and Clyde

Special Visual Effects

L. B. Abbott, Doctor Dolittle

 

Howard A. Anderson, Jr. and Albert Whitlock, Tobruk

Sound Effects

John Poyner, The Dirty Dozen

 

James A. Richard, In the Heat of the Night

Short Subjects

Cartoon

The Box (Murakami-Wolf Films; Brandon Films)

 

Hypothese Beta (Films Orzeaux; Pathé Contemporary Films)

 

What on Earth! (National Film Board of Canada; Columbia)

Live Action

Paddle to the Sea (National Film Board of Canada; Favorite Films of California)

 

A Place to Stand (T.D.F. Production for the Ontario Department of Economics and Development; Columbia)

 

Sky Over Holland (John Ferno Production for the Netherlands; Warner Bros.-Seven Arts)

 

Stop, Look and Listen (Len Janson and Chuck Menville, producers; MGM)

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Documentary

Short Subject

Monument to the Dream (Charles E. Guggenheim, producer; Guggenheim Productions)

 

A Place to Stand (T.D.F. Production for the Ontario Department of Economics and Development; Columbia)

 

The Redwoods (Mark Harris and Trevor Greenwood, producers; King Screen Productions)

 

See You at the Pillar (Robert Fitchett, producer; Associated British-Pathé Production)

 

While I Run This Race (Carl V. Ragsdale, producer; Sun Dial Films for VISTA)

Feature

The Anderson Platoon (French Broadcasting System)

 

Festival (Patchke Productions)

 

Harvest (U.S. Information Agency)

 

A King's Story (Jack Le Vien Production)

 

A Time for Burning (Quest Productions for Lutheran Film Associates)

 

Foreign Language Film

Closely Watched Trains, Czechoslovakia

 

El Amor Brujo, Spain

 

I Even Met Happy Gypsies, Yugoslavia

 

Live for Life, France

 

Portrait of Chieko, Japan

Irving G. Thalberg Memorial Award

Alfred Hitchcock

Jean Hersholt Humanitarian Award

Gregory Peck

Honorary Award

To Arthur Freed for distinguished service to the Academy and the production of six top-rated Awards telecasts

 

Information Please® Database, © 2005 Pearson Education, Inc. All rights reserved

 

 

 

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