|
Play |
The Homecoming |
Musical |
Cabaret |
Actor—Play |
Paul Rogers, The Homecoming |
Actress—Play |
Beryl Reid, The Killing of Sister George |
Supporting or Featured Actor—Play |
Ian Holm, The Homecoming |
Supporting or Featured Actress—Play |
Marian Seldes, A Delicate Balance |
Actor—Musical |
Robert Preston, I Do! I Do! |
Actress—Musical |
Barbara Harris, The Apple Tree |
Supporting or Featured Actor—Musical |
Joel Grey, Cabaret |
Supporting or Featured Actress—Musical |
Peg Murray, Cabaret |
Director—Play |
Peter Hall, The Homecoming |
Director—Musical |
Harold S. Prince, Cabaret |
Composer and Lyricist |
John Kander and Fred Ebb, Cabaret |
Scenic Designer |
Boris Aronson, Cabaret |
Costume Designer |
Patricia Zipprodt, Cabaret |
Choreographer |
Ron Field, Cabaret |
Information Please® Database, © 2005 Pearson
Education, Inc. All
<top of page>
Record of the Year |
“Up, Up and Away,” 5th Dimension |
Album of the Year |
Sgt. Pepper's Lonely Hearts Club Band,
The Beatles (Capitol) |
Song of the Year |
“Up, Up and Away,” Jimmy L. Webb, songwriter |
Best New Artist |
Bobbie Gentry |
Best Vocal Performance, Male |
“By the Time I Get to Phoenix,” Glen Campbell |
Best Vocal Performance, Female |
“Ode to Billie Joe,” Bobbie Gentry |
Best Performance By a Vocal Group (Two to Six Persons) |
“Up, Up and Away,” 5th Dimension |
Best Performance By a Chorus (Seven or More Persons) |
“Up, Up and Away,” Johnny Mann Singers |
Best Contemporary Single |
“Up, Up and Away,” 5th Dimension |
Best Contemporary Album |
Sgt. Pepper's Lonely Hearts Club Band,
The Beatles (Capitol) |
Best Contemporary Male Solo Vocal Performance |
“By the Time I Get to Phoenix,” Glen Campbell |
Best Contemporary Female Solo Vocal Performance |
“Ode to Billie Joe,” Bobbie Gentry |
Best Contemporary Group Performance, Vocal or Instrumental |
“Up, Up and Away,” 5th Dimension |
Best Rhythm and Blues Recording |
“Respect,” Aretha Franklin (Atlantic) |
Best Rhythm and Blues Solo Vocal Performance, Male |
“Dead End Street,” Lou Rawls |
Best Rhythm and Blues Solo Vocal Performance, Female |
“Respect,” Aretha Franklin |
Best Rhythm and Blues Group Performance, Vocal or Instrumental
(Two or More) |
“Soul Man,” Sam and Dave |
Best Instrumental Jazz Performance, Small Group or Soloist With
Small Group |
Mercy, Mercy, Mercy, Cannonball Adderley Quintet |

Duke Ellington
Archive Photos |
Best Instrumental Jazz Performance, Large Group or Soloist With
Large Group |
“Far East Suite,” Duke Ellington |
Best Country and Western Song |
“Gentle on My Mind” John Hartford, songwriter
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Best Country and Western Recording |
“Gentle on My Mind,” Glen Campbell (Capitol) |
Best Country and Western Solo Vocal Performance, Male |
“Gentle on My Mind,” Glen Campbell |
Best Country and Western Solo Vocal Performance, Female |
“I Don't Wanna Play House,” Tammy Wynette |
Best Country and Western Performance, Duet, Trio or Group (Vocal
or Instrumental) |
“Jackson,” Johnny Cash and June Carter |
Best Gospel Performance |
More Grand Old Gospel, Porter Wagoner and the Blackwood Brothers |
Best Sacred Performance |
How Great Thou Art, Elvis Presley |
Best Folk Performance |
“Gentle on My Mind,” John Hartford |
Best Instrumental Arrangement |
Alfie, Burt Bacharach, arranger |
Best Arrangement Accompanying Vocalist(s) or Instrumentalist(s) |
“Ode to Billie Joe,” Jimmie Haskell, arranger |
Best Instrumental Theme |
“Mission: Impossible,” Lalo Schifrin, composer |
Best Instrumental Performance |
“Chet Atkins Picks the Best,” Chet Atkins |
Best Score From an Original Cast Show Album |
Cabaret, Fred Ebb and John Kander, composers (Columbia) |
Best Original Score Written for a Motion Picture or Television
Show |
“Mission: Impossible,” Lalo Schifrin, composer |
Album of the Year, Classical (tie) |
Berg, Wozzeck, Pierre Boulez conducting Paris National
Opera; solos: Berry, Strauss, Uhl and Doench (Columbia) |
|
Mahler, Symphony No. 8 in E-Flat Major (“Symphony of a
Thousand”), Leonard Bernstein conducting London Symphony
Orchestra (Columbia)
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Best Classical Performance, Orchestra |
Stravinsky, Firebird and Petrouchka Suites, Igor
Stravinsky conducting Columbia Symphony |
Best Chamber Music Performance |
West Meets East, Ravi Shankar and Yehudi Menuhin |
Best Classical Performance, Instrumental Soloist(s) (With or
Without Orchestra) |
Horowitz in Concert, Vladimir Horowitz |
Best Opera Recording |
Berg, Wozzeck, Pierre Boulez conducting Paris National
Opera; solos: Berry, Strauss, Uhl and Doench (Columbia) |
Best Classical Choral Performance (tie) |
Mahler, Symphony No. 8 in E-Flat Major (“Symphony of a
Thousand”), Leonard Bernstein conducting London Symphony
Orchestra |
|
Orff, Catulli Carmina, Robert Page conducting Temple
University Chorus; Eugene Ormandy conducting Philadelphia
Orchestra |
Best Classical Vocal Soloist Performance |
Prima Donna, Vol. 2, Leontyne Price; Francesco
Molinari-Pradelli conducting RCA Italiana Opera Orchestra |
Best Comedy Recording |
Revenge, Bill Cosby (Warner Bros.-Seven Arts) |
Best Spoken Word, Documentary or Drama Recording |
Gallant Men, Sen. Everett M. Dirksen (Capitol) |
Best Recording for Children |
Dr Seuss: How the Grinch Stole Christmas,
Boris Karloff (MGM) |
Best Album Cover, Graphic Arts |
Sgt. Pepper's Lonely Hearts Club Band,
Peter Blake and Jann Haworth, art directors (Capitol) |
Best Album Cover, Photography |
Bob Dylan's Greatest Hits, Roland Scherman, photographer; John Berg
and Bob Cato, art directors (Columbia) |
Best Album Notes |
Suburban Attitudes in Country Verse,
John O. Loudermilk, annotator (RCA) |
Information Please® Database, © 2005 Pearson Education, Inc. All
rights reserved.
<top of page>
Arts and Letters |
Mr. Clemens and Mark Twain: A Biography,
Justin Kaplan |
Fiction |
The Fixer, Bernard Malamud |
History and Biography |
The Enlightenment, Vol. I: An Interpretation: The Rise of Modern
Paganism, Peter Gay |
Poetry |
Nights and Days, James Merrill |
Science, Philosophy and Religion |
La Vida, Oscar Lewis |
Translation |
Julio Cortazar's Hopscotch, Gregory Rabassa |
|
Casanova's History of My Life, Willard Trask |
Information Please® Database, © 2005 Pearson
Education, Inc. All rights reserved.
<top of page>
The 1967 Academy Awards were presented April 10, 1968 at the
Santa Monica Civic Auditorium.
Best Picture |
Bonnie and Clyde, Warren Beatty, producer (Warner
Bros.-Seven Arts) |
|
Doctor Dolittle, Arthur P. Jacobs, producer (Twentieth
Century-Fox) |
|
The Graduate, Lawrence Turman, producer (Embassy Pictures) |
|
Guess Who's Coming to Dinner?, Stanley Kramer, producer
(Columbia) |
|
In the Heat of the Night,
Walter Mirisch, producer (United Artists) |
Best Actor |
Warren
Beatty, Bonnie and Clyde |
|
Dustin Hoffman, The Graduate |
|
Paul Newman, Cool Hand Luke |
|
Rod Steiger, In the Heat of the Night |
|
Spencer Tracy, Guess Who's Coming to Dinner?
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Best Actress |
Anne Bancroft, The Graduate |
|
Faye Dunaway, Bonnie and Clyde |
|
Dame Edith Evans, The Whisperers |
|
Audrey Hepburn, Wait Until Dark |
|
Katharine Hepburn, Guess Who's Coming to Dinner? |
Actor in a Supporting Role |
John Cassavetes, The Dirty Dozen |
|
Gene Hackman, Bonnie and Clyde |
|
Cecil Kellaway, Guess Who's Coming to Dinner? |
|
George Kennedy, Cool Hand Luke |
|
Michael J. Pollard, Bonnie and Clyde |
Actress in a Supporting Role |
Carol Channing, Thoroughly Modern Millie |
|
Mildred Natwick, Barefoot in the Park |
|
Estelle Parsons, Bonnie and Clyde |
|
Beah Richards, Guess Who's Coming to Dinner? |
|
Katharine Ross, The Graduate |
Directing |
Richard Brooks, In Cold Blood |
|
Norman Jewison, In the Heat of the Night |
|
Stanley Kramer, Guess Who's Coming to Dinner? |
|
Mike Nichols, The Graduate |
|
Arthur Penn, Bonnie and Clyde |
|

Mike Nichols
Archive Photos |
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Writing |
Screenplay Based on Material From Another
Medium |
Richard Brooks, In Cold Blood |
|
Donn Pearce and Frank R. Pierson, Cool Hand Luke |
|
Stirling
Silliphant, In the Heat of the Night |
|
Joseph Strick and Fred Haines, Ulysses |
|
Calder Willingham and Buck Henry, The Graduate |
Story and Screenplay Written Directly for the Screen |
Robert Kaufman, story; Norman Lear, screenplay, Divorce
American Style |
|
David Newman and Robert Benton, Bonnie and Clyde |
|
Frederic Raphael, Two for the Road |
|
William Rose, Guess Who's Coming to Dinner? |
|
Jorge Semprun, La Guerre Est Finie |
|
Cinematography |
Burnett Guffey, Bonnie and Clyde |
|
Conrad Hall, In Cold Blood |
|
Richard H. Kline, Camelot |
|
Robert Surtees, Doctor Dolittle |
|
Robert Surtees, The Graduate |
Art Direction |
Mario Chiari, Jack Martin Smith and Ed Graves, art direction;
Walter M. Scott and Stuart A. Reiss, set decoration, Doctor
Dolittle |
|
Robert Clatworthy, art direction; Frank Tuttle, set decoration,
Guess Who's Coming to Dinner? |
|
Alexander Golitzen and George C. Webb, art direction; Howard
Bristol, set decoration, Thoroughly Modern Millie |
|
Renzo Mongiardino, John DeCuir, Elven Webb and Giuseppe Mariani,
art direction; Dario Simoni and Luigi Gervasi, set decoration,
The Taming of the Shrew |
|
John Truscott and Edward Carrere, art direction; John W. Brown,
set decoration, Camelot |
Sound |
MGM Studio Sound Dept., The Dirty Dozen |
|
Samuel Goldwyn Studio Sound Dept., In the Heat of the Night |
|
Twentieth Century-Fox Studio Sound Dept., Doctor Dolittle |
|
Universal City Studio Sound Dept., Thoroughly Modern Millie |
|
Warner Bros.-Seven Arts Studio Sound Dept., Camelot
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Music |
Song |
“The Bare Necessities,” The Jungle Book, Terry Gilkyson,
music and lyrics |
|
“The Eyes of Love,” Banning, Quincy Jones, music; Bob
Russell, lyrics |
|
“The Look of Love,” Casino Royale, Burt Bacharach,
music; Hal David, lyrics |
|
“Talk to the Animals,” Doctor Dolittle, Leslie Bricusse,
music and lyrics |
|
“Thoroughly Modern Millie,” Thoroughly Modern Millie,
James Van Heusen and Sammy Cahn, music and lyrics |
Original Music Score |
Richard Rodney Bennett, Far From the Madding Crowd |
|
Elmer Bernstein, Thoroughly Modern Millie |
|
Leslie Bricusse, Doctor Dolittle |
|
Quincy Jones, In Cold Blood |
|
Lalo Schifrin, Cool Hand Luke |
Scoring of Music, Adaptation or Treatment |
DeVol, Guess Who's Coming to Dinner? |
|
Alfred Newman and Ken Darby, Camelot |
|
Lionel Newman and Alexander Courage, Doctor Dolittle |
|
André Previn and Joseph Gershenson, Thoroughly Modern Millie |
|
John Williams, Valley of the Dolls |
|
Film Editing |
Hal Ashby, In the Heat of the Night |
|
Samuel E. Beetley and Marjorie Fowler, Doctor Dolittle |
|
Robert C. Jones, Guess Who's Coming to Dinner? |
|
Frank P. Keller, Beach Red |
|
Michael Luciano, The Dirty Dozen
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Costume Design |
Jean Louis, Thoroughly Modern Millie |
|
Irene Sharaff and Danilo Donati, The Taming of the Shrew |
|
Bill Thomas, The Happiest Millionaire |
|
John Truscott, Camelot |
|
Theadora Van Runkle, Bonnie and Clyde |
Special Visual Effects |
L. B. Abbott, Doctor Dolittle |
|
Howard A. Anderson, Jr. and Albert Whitlock, Tobruk |
Sound Effects |
John Poyner, The Dirty Dozen |
|
James A. Richard, In the Heat of the Night |
Short Subjects |
Cartoon |
The Box (Murakami-Wolf Films; Brandon Films) |
|
Hypothese Beta (Films Orzeaux; Pathé Contemporary
Films) |
|
What on Earth! (National Film Board of Canada;
Columbia) |
Live Action |
Paddle to the Sea (National Film Board of Canada; Favorite
Films of California) |
|
A Place to Stand
(T.D.F. Production for the Ontario Department of Economics
and Development; Columbia) |
|
Sky Over Holland
(John Ferno Production for the Netherlands; Warner
Bros.-Seven Arts) |
|
Stop, Look and Listen (Len Janson and Chuck Menville,
producers; MGM) |
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Documentary |
Short Subject |
Monument to the Dream (Charles E. Guggenheim, producer;
Guggenheim Productions) |
|
A Place to Stand
(T.D.F. Production for the Ontario Department of Economics
and Development; Columbia) |
|
The Redwoods (Mark Harris and Trevor Greenwood,
producers; King Screen Productions) |
|
See You at the Pillar (Robert Fitchett, producer; Associated
British-Pathé Production) |
|
While I Run This Race (Carl V. Ragsdale, producer; Sun Dial
Films for VISTA) |
Feature |
The Anderson Platoon (French Broadcasting System) |
|
Festival (Patchke Productions) |
|
Harvest (U.S. Information Agency) |
|
A King's Story (Jack Le Vien Production) |
|
A Time for Burning (Quest Productions for Lutheran Film
Associates) |
|
Foreign Language Film |
Closely Watched Trains, Czechoslovakia |
|
El Amor Brujo, Spain |
|
I Even Met Happy Gypsies, Yugoslavia |
|
Live for Life, France |
|
Portrait of Chieko, Japan |
Irving G. Thalberg Memorial Award |
Alfred Hitchcock |
Jean Hersholt Humanitarian Award |
Gregory Peck |
Honorary Award |
To Arthur Freed for distinguished service to the Academy
and the production of six top-rated Awards telecasts |
Information Please® Database, © 2005 Pearson
Education, Inc. All rights reserved
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